![]() You can also connect your instrument, or a vocal mike, and record musical phrases, then rearrange and tweak them into songs. Pick drum beats and instrument tracks from a comprehensive list of professional sounding recordings or create your own using the built-in sampling features. ![]() ABLETON LIVEĮasy enough for beginners and powerful enough for the most discerning professionals, Ableton Live allows you to program and sequence custom songs for performance. But, by taking advantage of some of these affordable, high-tech gadgets, a solo performer can express themselves with a full band sound in practice or performance anytime inspiration strikes. However, a busy schedule and other commitments may make it impossible for you to join a group. ![]() A band creates an environment where you can share music with others, while creating a bigger sound. The satisfaction of involving an audience in the music making process is what gives you the feedback and confidence to continue creating and growing as a musician.Īs you grow, your musical visions may become bigger than what you alone can produce. What many musicians enjoy the most about making music is the last phase of the cycle–the performance. There is a cycle involved in every art form–inspiration, creation, and sharing. Take advantage of modern technology and transform your practice or solo performances into a one-man band. What I'd like is a rack unit that creates it's own bass and drum lines based on my chording as well as a few (just a few) pedal switches to add some dynamics (rolls, etc) to a drum line here and there, such as when leading into a break, etc (maybe TC Electronic will read or hear about this. I'm thinking to use the drum machine, then add bass line and save it to CD (with multiple backups) I have a used Roland drum machine on the way and if it works out then fine and well but if not I can always use it during practices. I'm interested in doing complete songs with chorus changes, breaks, etc. I recall needing to use a reel to reel, now it's all done in a 4" x 2" x 1" stomp pedal While I certainly have structure in my songs i like to be a bit more free than that.ĪnthonyI have a TC Electronic DITTO and I agree, it's too 'stiff' for my liking with respect to using it Live (great tool for practice though) EVERY intro to every song involves building up your loops and once they are going that's the structure of the song. There are some very talented people doing it, and I don't want to diss on it, yet, it does make the structure of the performance VERY rigid. Again, you could use a computer for the same thing here. You'd need a sampler or playback device which you can trigger on/off messages with. Triggers - using samples which you can trigger off. ![]() Abelton Live might be an option for you if you go this path.ģ. You can also use a computer to play straight out from to achieve the same. you must be able to reach your machine during performance. So a playback device with these features is important. Minidisc allows for heaps of features to help with this, e.g.: stop after track play, so you can select the next track and the name scrolls across when you select it, and only plays when you hit the play button. have a back up - in case your primary source fails 2) name your tracks so you can see what you're queuing up. You can use a modern MP3 type player and just patch it into the PA via a mixing desk… play along. If you have bass and drums from the start of each song, then this is a great option. so one track would be the click and the other, the backing which means it's mono, which by today's standards might not be enough, depending on your audience. I even did this in an original band I was playing guitar in, where I had a string section come in after I'd started. Pre-recorded tracks - back in the day I played in a few cover bands who used mini-disc to playback pre-recorded tracks. The drums would be percussive slaps on your guitar, and bass. Looping - very popular at the moment, but for your purposes limited. For mine there are three ways you can do this.ġ.
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